The best hero is the purest version of this propagandistic image. The Golden Age of comics mark an important time for the medium, but they’re also a period full of post-World War II mentalities about how being a hero is all about this manifest destiny ideology of getting more and becoming stronger. It’s this internal struggle in a world that is intentionally bereft of mother figures and drowning in unhealthy father figures that is not just the point of The Venture Bros., but also its secret weapon. It’s these comic book archetype visions of male role models that are more of a “villain” in the series than the show’s actual villains. In reality, it’s these broken superhero ideals that are what are actually responsible for all of the dysfunction and unhappiness that fills the series. has these stereotypical depictions of heroes and manliness pushed on them as aspirational figures of perfection. touches on a lot of diverse topics, but at its core it’s really about how the Golden Age of comics’ depiction of superheroes as toxic masculine stereotypes has created an entire generation of ruined men.Įvery character in The Venture Bros. ![]() is a series that’s known for its loving tributes to its source material, whether that’s Hanna-Barbera cartoons of the 1960s and ‘70s or classic superhero archetypes, but as a whole it’s actually much more interested in universal topics like gender and identity. This idea becomes increasingly true with each passing year, but it’s a mentality that’s especially apt-to a dangerous degree, even-in the animated series, The Venture Bros. This is a phrase from Grant Morrison’s Supergods that argues that America’s new faith and religion are comic books. My gods were real, made of paper and light, and they rolled up into my pocket like a superstring dimension.”
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |